inkcanada

curated by screenwriter Karen Walton

— @inkcanada on Twitter.

Tagged screenwriting:

Writing for One Performer Playing Multiple Roles in the Same Frame? Understand what you are asking of the actor. By ORPHAN BLACK Insider: Three Clones, One Frame - BBC AMERICA - Saturdays 9/8c (by BBCAmericaTV)

Apr 18

All About Ava:  a typical day at my kitchen table, a space reserved for the work of adapting Ian Hamilton’s wonderful mysteries series for films with, thank goodness, his generous & invaluable guidance.

Tools:  hard copies of the books, highlighters, a 3” D-ring binder for the working & published Drafts (for making my own changes & cuts by hand), Notes and Correspondence - printed out -, a dedicated Moleskine (where I work things out beat by beat before I type anything), stickies, endless colour-coded stickies, pens - Uniball Fines & Sharpies - though the purple is unusual and probably nicked from a tv writing room along the way.

Apr 07
All About Ava:  a typical day at my kitchen table, a space reserved for the work of adapting Ian Hamilton’s wonderful mysteries series for films with, thank goodness, his generous & invaluable guidance.
Tools:  hard copies of the books, highlighters, a 3” D-ring binder for the working & published Drafts (for making my own changes & cuts by hand), Notes and Correspondence - printed out -, a dedicated Moleskine (where I work things out beat by beat before I type anything), stickies, endless colour-coded stickies, pens - Uniball Fines & Sharpies - though the purple is unusual and probably nicked from a tv writing room along the way.

National Poetry Month Day 1:  The McSweeney’s Book of Poets Picking Poets  

Why is some Canadian screen & tv writer pushing poets?  Because next to music, nothing informs how I put together my pages more. Poetry’s like steroids for screenwriting. I’ll try and post one of my favourite collections from my stash every day, this month.  

Apr 01
National Poetry Month Day 1:  The McSweeney’s Book of Poets Picking Poets  
Why is some Canadian screen & tv writer pushing poets?  Because next to music, nothing informs how I put together my pages more. Poetry’s like steroids for screenwriting. I’ll try and post one of my favourite collections from my stash every day, this month.  

I have an ‘open studio policy’ about how I write on inkcanada’s Facebook Group, and while I’m not of the (often idiotic) school of self-declared experts (‘Do It This Way or You’re a Moron!’ - um, blow me), I sometimes write about how at least I go about things, in case it’s useful to students of the crafts, from only my perspective. And because, working screenwriters rarely document their own process publicly, in Canada, I’m doing it to entice commentary from my lurking peers & betters. ;)  ‘Adaptology’ is a Doc-in-Progress about what happens when I adapt a pre-existing story from another medium into a feature film. A rambling account, sorry, cobbled from notes for a talk I recently gave at the Saskatchewan Writers Guild’s Talking Fresh 10 event, in Regina.

Apr 06
I have an ‘open studio policy’ about how I write on inkcanada’s Facebook Group, and while I’m not of the (often idiotic) school of self-declared experts (‘Do It This Way or You’re a Moron!’ - um, blow me), I sometimes write about how at least I go about things, in case it’s useful to students of the crafts, from only my perspective. And because, working screenwriters rarely document their own process publicly, in Canada, I’m doing it to entice commentary from my lurking peers & betters. ;)  ‘Adaptology’ is a Doc-in-Progress about what happens when I adapt a pre-existing story from another medium into a feature film. A rambling account, sorry, cobbled from notes for a talk I recently gave at the Saskatchewan Writers Guild’s Talking Fresh 10 event, in Regina.

writing break on the beach, canadian spring styles.  sandbanks provincial park, ontario.

Mar 30
writing break on the beach, canadian spring styles.  sandbanks provincial park, ontario.

Notes from the Fourth Act - Hand-writing Drama.  Working out the detectives’ discoveries in contemporary prime-time procedural crime series.  Procedurals are about our riding along with often unusual detectives’ unique methods; how we get from discovery to denouement is down to their personal interpretations of traditional evidence.  I’ve smudged out any spoilers, as this one hasn’t aired yet.

Scratch Decoder/Process:

1.  time - where are we in the viewers’ experience of the story/dramatic hour

2.  stakes - what’s in the balance, what’s the (always theoretical) solution, how long do we have to figure this out before the worst thing happens?

3. regular characters in play - who’s acting, deciding how this turns out & how

4. what are their obstacles & choices, impact/feeding one another’s progress

5. a sticky noted lead in to act five (the climax) - where I’m writing to, in the story, for the fourth act

Feb 12

Notes from the Fourth Act - Hand-writing Drama.  Working out the detectives’ discoveries in contemporary prime-time procedural crime series.  Procedurals are about our riding along with often unusual detectives’ unique methods; how we get from discovery to denouement is down to their personal interpretations of traditional evidence.  I’ve smudged out any spoilers, as this one hasn’t aired yet.
Scratch Decoder/Process:
1.  time - where are we in the viewers’ experience of the story/dramatic hour
2.  stakes - what’s in the balance, what’s the (always theoretical) solution, how long do we have to figure this out before the worst thing happens?
3. regular characters in play - who’s acting, deciding how this turns out & how
4. what are their obstacles & choices, impact/feeding one another’s progress
5. a sticky noted lead in to act five (the climax) - where I’m writing to, in the story, for the fourth act

Writing for One Performer Playing Multiple Roles in the Same Frame? Understand what you are asking of the actor. By ORPHAN BLACK Insider: Three Clones, One Frame - BBC AMERICA - Saturdays 9/8c (by BBCAmericaTV)

inkcanada

Posted on Sunday April 7th 2013 at 12:32pm. Its tags are listed below.

All About Ava:  a typical day at my kitchen table, a space reserved for the work of adapting Ian Hamilton’s wonderful mysteries series for films with, thank goodness, his generous & invaluable guidance.
Tools:  hard copies of the books, highlighters, a 3” D-ring binder for the working & published Drafts (for making my own changes & cuts by hand), Notes and Correspondence - printed out -, a dedicated Moleskine (where I work things out beat by beat before I type anything), stickies, endless colour-coded stickies, pens - Uniball Fines & Sharpies - though the purple is unusual and probably nicked from a tv writing room along the way.
All About Ava:  a typical day at my kitchen table, a space reserved for the work of adapting Ian Hamilton’s wonderful mysteries series for films with, thank goodness, his generous & invaluable guidance.
Tools:  hard copies of the books, highlighters, a 3” D-ring binder for the working & published Drafts (for making my own changes & cuts by hand), Notes and Correspondence - printed out -, a dedicated Moleskine (where I work things out beat by beat before I type anything), stickies, endless colour-coded stickies, pens - Uniball Fines & Sharpies - though the purple is unusual and probably nicked from a tv writing room along the way.

All About Ava:  a typical day at my kitchen table, a space reserved for the work of adapting Ian Hamilton’s wonderful mysteries series for films with, thank goodness, his generous & invaluable guidance.

Tools:  hard copies of the books, highlighters, a 3” D-ring binder for the working & published Drafts (for making my own changes & cuts by hand), Notes and Correspondence - printed out -, a dedicated Moleskine (where I work things out beat by beat before I type anything), stickies, endless colour-coded stickies, pens - Uniball Fines & Sharpies - though the purple is unusual and probably nicked from a tv writing room along the way.

inkcanada

Posted on Monday April 1st 2013 at 11:04am. Its tags are listed below.

National Poetry Month Day 1:  The McSweeney’s Book of Poets Picking Poets  
Why is some Canadian screen & tv writer pushing poets?  Because next to music, nothing informs how I put together my pages more. Poetry’s like steroids for screenwriting. I’ll try and post one of my favourite collections from my stash every day, this month.  

National Poetry Month Day 1:  The McSweeney’s Book of Poets Picking Poets  

Why is some Canadian screen & tv writer pushing poets?  Because next to music, nothing informs how I put together my pages more. Poetry’s like steroids for screenwriting. I’ll try and post one of my favourite collections from my stash every day, this month.  

inkcanada

Posted on Thursday March 21st 2013 at 11:01pm. Its tags are listed below.

Women make up about 30% of (the Writers Guild of Canada’s) membership and take home 30% of the earnings. Why we’re only 30%, I do not know, but I am happy to see us taking our share of the fees. Age is a factor in all writers’ lives. We are not a guild of young people. About 14% of the working members are under 35.
Jill Golick, President, Writers Guild of Canada - “Writing Women into the Picture”, Canadian Screenwriter Magazine Spring 2013

inkcanada

Posted on Thursday March 14th 2013 at 08:43am. Its tags are listed below.

Writing is finally about one thing: going into a room alone and doing it. Putting words on paper that have never been there in quite that way before. And although you are physically by yourself, the haunting Demon never leaves you, that Demon being the knowledge of your own terrible limitations, your hopeless inadequacy, the impossibility of ever getting it right. No matter how diamond-bright your ideas are dancing in your brain, on paper they are earthbound.
William Goldman, Adventures in the Screen Trade

inkcanada

Posted on Wednesday March 6th 2013 at 06:00am. Its tags are listed below.

The screenwriter who wants the adventure of creating new worlds, the thrill of being surprised by her characters, the impact of discovering her most deeply held values, and in particular the joy of entertaining, inspiring and moving an audience, wants more than competence. What she wants is mastery.
Amnon Buchbinder, The Way of the Screenwriter (Anansi Press)

inkcanada

Posted on Wednesday October 10th 2012 at 10:14am. Its tags are listed below.

Joss Whedon's Top 10 Writing Tips

aconsiderablespeck:

“Joss Whedon is most famous for creating Buffy the Vampire Slayer, its spin-off Angel and the short-lived but much-loved Firefly series. But the writer and director has also worked unseen as a script doctor on movies ranging from Speed to Toy Story. Here, he shares his tips on the art of screenwriting…”

inkcanada

Posted on Friday April 6th 2012 at 09:42am. Its tags are listed below.

I have an ‘open studio policy’ about how I write on inkcanada’s Facebook Group, and while I’m not of the (often idiotic) school of self-declared experts (‘Do It This Way or You’re a Moron!’ - um, blow me), I sometimes write about how at least I go about things, in case it’s useful to students of the crafts, from only my perspective. And because, working screenwriters rarely document their own process publicly, in Canada, I’m doing it to entice commentary from my lurking peers & betters. ;)  ‘Adaptology’ is a Doc-in-Progress about what happens when I adapt a pre-existing story from another medium into a feature film. A rambling account, sorry, cobbled from notes for a talk I recently gave at the Saskatchewan Writers Guild’s Talking Fresh 10 event, in Regina.

I have an ‘open studio policy’ about how I write on inkcanada’s Facebook Group, and while I’m not of the (often idiotic) school of self-declared experts (‘Do It This Way or You’re a Moron!’ - um, blow me), I sometimes write about how at least I go about things, in case it’s useful to students of the crafts, from only my perspective. And because, working screenwriters rarely document their own process publicly, in Canada, I’m doing it to entice commentary from my lurking peers & betters. ;)  ‘Adaptology’ is a Doc-in-Progress about what happens when I adapt a pre-existing story from another medium into a feature film. A rambling account, sorry, cobbled from notes for a talk I recently gave at the Saskatchewan Writers Guild’s Talking Fresh 10 event, in Regina.

inkcanada

Posted on Friday March 30th 2012 at 10:32am. Its tags are listed below.

writing break on the beach, canadian spring styles.  sandbanks provincial park, ontario.
writing break on the beach, canadian spring styles.  sandbanks provincial park, ontario.

writing break on the beach, canadian spring styles.  sandbanks provincial park, ontario.

inkcanada

Posted on Tuesday February 28th 2012 at 08:00am. Its tags are listed below.

An original screenplay? Nothing to it really. Just come up with a new and fresh and different story that builds logically to a satisfying and surprising conclusion (because Art, as we all know, needs to be both surprising and inevitable).

Do you know how hard that is?

William Goldman, Which Lie Did I Tell?

inkcanada

Posted on Sunday February 12th 2012 at 10:37am. Its tags are listed below.


Notes from the Fourth Act - Hand-writing Drama.  Working out the detectives’ discoveries in contemporary prime-time procedural crime series.  Procedurals are about our riding along with often unusual detectives’ unique methods; how we get from discovery to denouement is down to their personal interpretations of traditional evidence.  I’ve smudged out any spoilers, as this one hasn’t aired yet.
Scratch Decoder/Process:
1.  time - where are we in the viewers’ experience of the story/dramatic hour
2.  stakes - what’s in the balance, what’s the (always theoretical) solution, how long do we have to figure this out before the worst thing happens?
3. regular characters in play - who’s acting, deciding how this turns out & how
4. what are their obstacles & choices, impact/feeding one another’s progress
5. a sticky noted lead in to act five (the climax) - where I’m writing to, in the story, for the fourth act

Notes from the Fourth Act - Hand-writing Drama.  Working out the detectives’ discoveries in contemporary prime-time procedural crime series.  Procedurals are about our riding along with often unusual detectives’ unique methods; how we get from discovery to denouement is down to their personal interpretations of traditional evidence.  I’ve smudged out any spoilers, as this one hasn’t aired yet.

Scratch Decoder/Process:

1.  time - where are we in the viewers’ experience of the story/dramatic hour

2.  stakes - what’s in the balance, what’s the (always theoretical) solution, how long do we have to figure this out before the worst thing happens?

3. regular characters in play - who’s acting, deciding how this turns out & how

4. what are their obstacles & choices, impact/feeding one another’s progress

5. a sticky noted lead in to act five (the climax) - where I’m writing to, in the story, for the fourth act

inkcanada

Posted on Sunday February 12th 2012 at 09:54am. Its tags are listed below.

Kevin Purdy's case for physicality in writing

(Click the title to read the item I refer to, New Readers). While always wary of attempts to quantify creativity, or perpetuate the myth that there is any given way to be a better writer…  this item caught my eye because I hand-write everything exploratory.  From tag-lines to character descriptions to beating scenes and sequences and mapping structure and plots, it gets worked over with a favourite brand of pen in a moleskine, or on a sticky note, index card or anything that affixes itself to a surface I can step back and stare at, first.  Even my project diaries are lists.  The exception is dialogue.  My characters tend to talk fast and tell me more if I free-type, and then though - I print and edit them - for timing & voice - by hand.

inkcanada

Posted on Saturday February 11th 2012 at 01:56pm. Its tags are listed below.

Ava Lee & Me

Ian Hamilton's The Water Rat of Wanchai (An Ava Lee Novel)

Um, confirmed.  Thanks so much to all my Twitter pals for the very lovely wishes & mentions, wow.  And to Sandra Cunningham & Robin Cass, producers & executives in charge at  Toronto’s Strada/Union for including me in the Ava Lee
adventure!

The Canadian Film Centre's Writers, Directors, Producers Labs Deadlines are today: are you in the running for one of the most sought-after advanced pro-development programs in Canada?

Many apply (sometimes repeatedly) - few are chosen.  As our national population’s swelling under-30 demo become increasingly convinced content creation is the career for them, lab sizes get smaller and the costs of living in Canada’s largest city grow.  And so do the number of applications to a school that educates many on the value of peer-based education.  If your personal pitch package hits the offices of the North York former horse-racing tycoon’s estate today, I (an alum and sometime mentor at the CFC) wish you every bit of luck - the bank account & emotional support to foster more of it - and the first glimmerings of improved prospects:  an interview.